Veteran singer-songwriter Jose Mari Chan has clarified that his recent remarks about no longer receiving “royalty checks” referred specifically to earnings from physical music formats such as CDs, cassette tapes, and vinyl records—not to all forms of music royalties.
The clarification follows comments Chan made during the media conference for his upcoming concert, Afterglow: Seasons of the Heart, scheduled for July 11 at the Philippine International Convention Center (PICC). His remarks sparked discussion online, with some interpreting them to mean that he no longer receives royalties from his music.
According to Universal Records Managing Director Kathleen Dy-Go, Chan was referring only to the steady decline in royalties from physical album sales as the music industry shifted toward digital consumption.
“We would like to clarify that Mr. Jose Mari Chan was referring specifically to royalties from CDs, cassettes, and vinyl records. As physical music formats have gradually declined over the years, so have the royalties associated with those sales. His statement should not be construed to mean that he no longer receives royalties from his music altogether,” Dy-Go said.
She explained that while physical record sales are no longer the primary way audiences consume music, artists can continue to earn royalties through digital streaming platforms, music publishing, synchronization licenses, public performances, and other authorized uses of their recordings, depending on the terms of their respective agreements.
“The music industry has evolved significantly over the years. Today, artists have various revenue streams beyond physical album sales, including streaming services, publishing rights, licensing, and other royalty collection mechanisms. Mr. Chan’s comments were simply referring to one specific source of royalties that has naturally diminished with changing consumer behavior,” she added.
Chan made the remarks while reflecting on how the music business has changed throughout his decades-long career—from an era dominated by vinyl records, cassette tapes, and compact discs to today’s digital-first landscape.
Known for timeless hits such as “Beautiful Girl,” “Can We Just Stop and Talk Awhile,” and the enduring Christmas classic “Christmas in Our Hearts,” Chan remains one of the Philippines’ most celebrated recording artists, with his music continuing to reach audiences across both traditional and digital platforms.
The clarification aims to address misconceptions surrounding his comments and underscores the distinction between royalties generated from physical album sales and those earned through today’s broader music ecosystem.
